Toyo Ito was born in Seoul, South Korea, the 1 June 1941.
His father was a business man interested in the Korea's Yi dynasty ceramics. In 1943 they returned to Japan together with his father and two sisters, and in 1953 There was the death of his father, When was Toyo Ito 12 years old. Since then, the family owned a factory of soup miso. Until he began his university studies he was never interested in architecture.
In 1965 Toyo Ito graduated from the University of Tokyo Department of architecture.
His professional career began in Kiyonori Kikutake architect and associates, where I work from 1965 up to 1969 together with Itsuke Hasegawa. It was in 1971 where he started out individually setting up his own Studio in Tokyo, named Urbot (Urban Robot). It was not until 1979 When I change the name of the Studio to the Toyo Ito & Associates.
The Office of Toyo Ito is known as a place of training for talented young architects. Some of the architects who worked there previously are Kazuyo Sejima and Ryue Nishizawa (SANAA), Astrid Klein and Mark Dytham (KDa), Fukushima Katsuya, Yokomizo Makoto, and Akihisa Hirata.
Their first projects, as the “Aluminum House” they were wooden structures covered with that metal. The House that made for his sister, the “White U” in 1976 It was the building that made him famous. Its buildings were trying to destroy the predictability.
In his beginnings he developed modern works, through the use of industrial materials to build light structures, as tubes, expanded mesh, perforated aluminum, blades and permeable fabrics. Although in the majority of his recent work has used reinforced concrete.
The construction of the "Sendai Mediatheque", in this Japanese city was probably the building which consecrated him on structural innovation that contained.
His career Ito constructed numerous housing projects private expressing aspects of urban life in Japan. His most notable early conceptual contributions were made through projects of this size, as the "White U" and "Silver Hut" in 1984.
With the "Pao" for housing for the Tokyo Nomad women projects in 1985 and 1989, Ito presented a vision of the life of an urban Nomad, illustrative of typical lifestyles during the economic bubble in Japan.
The "Tower of the winds" in 1986 and the "egg of winds" 1991 they are interactive landmarks in public spaces, as a result of a creative interpretation of the current technical possibilities. While its function is in fact air for the metro system output jacks, its importance lies in the treatment of Ito to its opacity, one of the hallmarks of his work. While it appears solid during the day, perforated aluminum structures “dissolve” at night through the use of computer-controlled lighting systems that form an interactive display that represents the measured data, such as levels of surrounding noise in the vicinity.
Ito is interested in the relationships between rooms, exterior and interior, and the buildings and their surroundings. His work is inspired by the principles of nature, How does the unit achieved between organic structures, surfaces and finishes.
In addition your designs are influenced by his sense of public responsibility because it has always advocated that architecture should not only meet physical needs, but also to the senses.
Ito strives for a fluid architecture away from the constraints of modern architecture. What can be seen in "Sendai Mediatheque" in the 2000, by the use of structural tubes that create new interior spatial qualities.
Throughout his career, Toyo Ito has been able to produce a work that combines conceptual innovation with superbly executed buildings. Its exceptional architecture has maintained for more of 40 years his Excellency, in different projects as libraries, houses, parks, theatres, shops, Office buildings and pavilions, always trying to expand the possibilities of architecture.
Ito is a unique talent professional, It has been developed and perfected a personal architectural syntax that combines technique with great formal clarity and structural ingenuity. Its forms are not due to minimalist or parametric approaches, It has always given importance to the fact that different circumstances lead to different answers. No stylistic ties.
Innovation is a common word to describe the works of Toyo Ito. This is evident in the "temporary Pavilion created in Bruges' in 2002 and the building "TOD ’ S" in Tokyo in 2004, in which the façade, the skin of the building, also serves as structure. As well as the abundance of new technologies in projects like the of the "dome of Odate" (Japan) or the "Tower of the winds" in Yokohama.
To their 71 years old, the Japanese architect “is a creator of timeless buildings, with those who boldly proposes new paths. His architecture projects an air of optimism, lightness and joy, and it is imbued with a sense of uniqueness and universality“. “His synthesis of the structure, space and form that creates cozy places, their sensitivity to the landscape, infuse your designs with a spiritual dimension and the poetry that transcends all his works“. (Lord Peter Palumbo).
They are examples of public architecture the "Gifu Funeral Home" in 2006, the "Library University Tama Art" in Tokyo in 2007 or the "Pavilion for the Serpentine Gallery", in London in 2002.
Or work to build small communal spaces for those affected by the earthquake in Japan in 2011, a “direct expression of his sense of social responsibility“.
In the context of responsibility enroll his work in the education of future architects, especially in his office, as we have said previously, that is like a school where young architects will work and learn.
“It is a pioneer that encourages others to benefit from their discoveries and to advance in their own directions. In that sense is a real teacher who produces oxygen, rather than consume it“.
The work of Ito is often said to have affinities with the ideas of philosophers such as Gilles Deleuze and Munesuke Mita.
ITO has defined architecture as “clothing” for the urban population, especially in the contemporary Japanese metropolis. This topic focuses on the balance between private life and metropolitan area, “public” the life of an individual.
The current architecture of Toyo Ito develop their work, produced during the postmodern period, aggressively exploring the potential of new forms. In this way, try to find new spatial conditions that manifested the philosophy of be borderless.
The work of Toyo Ito has been widely exhibited in many museums, art galleries and videos.
Ito designed the "Berlin-Tokyo exhibition" in 2006 in the Neue Nationalgalerie in Berlin. The design included a soft and wavy landscape that occupied almost all of the main Museum of the exhibition space. This exhibition, in collaboration with the Mori Art Museum, It was one of the most important companies in the history of the Museum. A major retrospective of Ito's work was shown at the Tokyo Opera City Art Gallery in 2006 as Toyo Ito. The New “Real” in architecture.
ITO has a Chair in the Japan Women's University. He is also Honorary Professor of the University of North London and has been a visiting professor at Columbia University. He is a professor at the Tama Art University as a visiting Professor.
His name is related in Spain with interventions of public spaces. These include "the Vallecas Gavia Park", in Madrid; the project"West Park", Murcia or the unfinished "relaxation Park", Torrevieja. Despite the suspension of some of their projects, the lack of information and the bureaucratic problems, Toyo Ito hopes to continue working in Spain.
Known as "the new Antoni Gaudí", Toyo Ito is also author of the Tower, next to the Hotel Porta Fira, shape calls "Torres Fira". This second tower, traditional plant, is completely glazed and appears within it there was a structure of Red. Also, It is responsible for the enlargement of the premises of "Gran Vía de Fira de Barcelona", that includes the new lobby access, the pavilions 1, 5, 7 and 8, the footpath which runs through and connects all buildings in the complex and the Auditorium, as well as the Fira metro station 2 (L ’ Hospitalet) and Foc Cisell (Barcelona).
The Japanese Toyo Ito has been awarded the Pritzker Architecture Prize 2013 for a work “combining conceptual innovation with superbly executed buildings“, architecture “exceptional” and by “the spiritual and poetic dimension that transcends all his works“.
Announced the award of the prize, Ito said: “The architecture is limited by various social restrictions. I've designed architecture that get more comfortable spaces beyond those restrictions“.
“However, When a building is finished I realize painfully from my own inadequacy, What is converted into energy for the challenge of the next project“. Therefore, added: “I will never post my architectural style and I will never be fully satisfied of my work“.
The 29 may of 2013, Toyo Ito was awarded the Pritzker Architecture Prize. Just hearing the news, Toyo Ito stated that “the architecture is limited by various social issues. I have designed my architectural projects aiming to mentally assumed that could create more comfortable spaces if I could free myself from such restrictions from time to time. However, When just a building, He immediately assaulted me the painful impression of my own inadequacy, something that is inevitably transformed into energy to deal with my next project. Likely to be so, and the same feeling will repeat in the future. So it is likely to never set my own style because I will never be satisfied with my works“.
AWARDS AND awards.
Among the numerous awards and honorary distinctions obtained by Toyo Ito, We will make mention of those most relevant:
Major Projects.
During his career are many works and projects throughout his entire career, Here we will collect those made most significant.
His work is very broad and includes actions such as;
With the exception of a large opening into the courtyard, the openings in the walls were few and small. Visitors tended to compare it to an underground Chamber.
The example is more radical architecture which Ito developed between the 70 and the beginning of the 80, «virtually sealed by white walls» buildings.
House U. 1976. Tokyo.
In the Tower of the winds, ITO has rehabilitated a vent located on an underground Mall Tower. It was a cylindrical volume coated aluminium panels, evening, it lit up and transformed their solid daytime materiality in an ethereal appearance, extravagant and ephemeral. Toyo Ito represents his desire to "transform the very air in light", through the incorporation of a computer program, connected to a lighting system.
Tower of the winds. 1986. Yokohama.
2001. Sendai Mediatheque.
2002. Temporary Pavilion for the Serpentine Gallery. London.
2004. Tod Omotesando Building. Tokyo.
2004. Mikimoto Ginza building 2. Tokyo.
2009. Suites Avenue building. Barcelona. Spain.
2011. Museum of architecture, Imabari-shi. Ehime. Japan
BIOGRAPHY AND INTERESTING LINKS.